Temporary Hiatus and Submission Closure Notice
Dear Contributors and Readers,
I hope this message finds you well. I am writing to you today with a personal and significant update.
After much consideration, I have decided to put Pyre Magazine on a temporary hiatus, effective immediately. Consequently, we will be closing our doors to all submissions until Spring 2025. Though difficult, this decision was born out of a need to focus on my family and personal health, which require my full attention now.
Pyre Magazine has always been a labor of love, a platform where creativity and passion find a voice. With a heavy heart, I step back, but I do so with the belief that this pause is necessary for my well-being and, ultimately, for the future of our magazine.
During this period, we will not be publishing new content, and our editorial team will also take a break. No submissions sent in 2024 will be considered. I’m sorry for the inconvenience.
I sincerely appreciate your understanding and support during this time. Your contributions and readership have been the lifeblood of Pyre Magazine, and I am endlessly grateful for the community we have built together.
I look forward to reuniting with all of you in Spring 2025, rejuvenated and ready to reignite our shared passion for outstanding literature and art.
Thank you for your continued support and understanding.
Best wishes,
Ryan Thomas LaBee
Editor-in-Chief
Pyre Magazine
It’s here… it’s finally here!
FALL/WINTER 2023 Issue
Purchase Now!
Pyre Magazine Presents its first physical copy edition. 120 beautiful pages full of art, short stories, flash fiction, poetry, and nonfiction. In this slam-packed special edition, you'll find work from more than 30 artists.
The first physical copy of Pyre Magazine drops on November 28th, and it’s STACKED!
A NOTE ON the 2023 SPRING AND SUMMER SUBMISSIONS
Dear Writers, Artists, and Constant Readers,
First and foremost, I would like to apologize to you. It has been a while since there have been any updates to Pyre, and many are still waiting to hear back from us regarding submissions from the beginning of this year, and for that, I am genuinely sorry. The truth is, I, Ryan, have been dealing with some personal health issues that have made it very difficult for me to engage with submissions and emails mentally. In case you don’t know, Pyre is a labor of love, and running the magazine is primarily a team of one… me. Unfortunately, due to needing to focus on my mental and physical health, I had to make the difficult decision to cancel the Spring and Summer 2023 issue because I did not have the time to give submissions the proper amount of time and consideration that they deserved.
That being said, if you have a submission with us and have not heard back, all spring and summer submissions will be considered for the fall/winter issue, which will now be a larger issue that covers the entire year. I know many of you are eager to hear back from us and are tired of waiting, and as a writer myself, I understand entirely. That is why Pyre is and has always been a magazine that allows for simultaneous submissions so that, at least while you are waiting, you can submit to other outlets.
I appreciate your understanding during this time. I plan to have the magazine running smoothly by the end of summer so that the fall/winter submission cycle will go off without a hitch.
Thank you.
Best wishes,
Ryan LaBee
Editor-in-Chief Pyre Magazine
Fall/Winter 2022
Coming: November 16th
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Item description
Spring/Summer 2022
contents
Spring/Summer Issue — 2022
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Denny E. Marshall — Steam Stomper
Evangeline Gallagher — The Goat
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WITH A GLEAM IN ITS EYE — Lark Morgan Lu
Harlow spotted its partner in its reflection of the bathroom mirror. Kir@Kira smiled with her diamond-pupil eyes as she stood behind Harlow. Kir@Kira was a VTuber whose name meant cutely glittering or twinkling in Japanese, a poreless avatar with a mane of rainbow hair and pastel outfits mapped onto the movements of some unknown figure behind a camera. Today her lipstick was a deep plum like a bruise upon the mouth.
Little Man — Matthew Mitchell
The little man was dead. Of that, both boys were certain. Some time passed before they came to this assumption, but the conclusion was unanimous. For one thing, the little man hadn't moved since they first came upon it in the forest. Not even after they crept up beside it and shouted. For another, blackish blood had pooled beneath the little man's body. Thin rivulets eked out across the stone on which it lay.
The Mix-Up — Abbie Doll
The child was born whispering. I am recycled. I am recycled. No one knew what it meant or why a child fresh from the womb could speak. It arrived with the preformed face of a ghoulish man—a dark receding hairline, deflated cheeks, and two catatonic eyes the color of charcoal. When it smiled, its lips converged forcibly like sewn skin, and the expression fell flat without extending to its eyes. Though technically toothless, its grins left a lingering impression of fangs. The parents weren’t so sure they wanted this anymore.
Fisher Witch — Josh Pearce
Scarlet's lover called her a witch the day he ended things, even though that wasn't quite fair—she only knew the one spell. She whispered it to herself as she sharpened the point of her favorite fishhook, scraping it against the strop over and over, until the steel fairly glimmered with its own light.
Savoring the Taste — Belicia Rhea
A worm has chewed an exit through the body to your left’s eye. It slinks up the nose and out through the right nostril, tail only lost for a moment before its pink head reappears.
Birds — Melissa Nunez
I used to be the kind of person who didn’t like to run very far or very fast but could when called upon, for emergency situations—if I were being chased. I liked knowing I could create decent distance between myself and my would-be assailant. But I am not that kind of person anymore. In pursuit of reattaining this reluctant racing form, and because the lure of local wild increases as I age, my husband and I have been using our limited time together without our children to walk and bike the trails of the nature center nearest our house.
Emails to The Otherside — Bethany Jarmul
While pushing my son in his blue toddler swing—the air heavy with humidity and pollen—I remembered the last time I saw you. You were sweaty, flushed, jogging at the park. Josh and I were newly engaged—me in my turquoise dress, him in his button-up shirt—taking smiling photos on a wooden bench. Your brown eyes were bright, hair buzzed short when you stopped to say, “hello,” asked if we still attended the young adult group at church where the three of us met. “No,” we said. “It’s mostly young college kids now. We don’t belong.” You nodded, understanding.
My Little Macbeth — Scarlett Murray
On the night it happened, my son asked me to tuck him in. It did not sound cute or small, it did not contain the faint echo of what his voice as a baby had been. Instead, it twisted into what it would become: I heard its rigid hardness, the rigid hardness of a man. It was like the voice of a twenty-year-old calling his mother to tuck him in, and it unsettled me.
Bleed Mean — A. Morgan-Penn
I was fourteen the first time I considered killing my father. Every night, I’d steeple my raw, red fingers and pray for him to die. I didn’t care how. I didn’t care why. I just wanted to be rid of him. To go just one day without his silver belt-buckle biting into the skin of my back.
A darkness pooled in the pit of my belly that summer, as mean and tarry as a gator pit. Cut me and it could have slid out.
The Devouring Hole — Eric Raglin
Sun-punished and rain-starved, berries withered on the bush like shrunken heads. They were sour and tough as leather, but young Torsten and his older sister Estrid ate their fill. When the berries disappeared and the creeks ran dry, food became scarce. There were no salmon fat with orange clusters of eggs, nor red squirrels thinning in their summer coats. The siblings grew hungry. Meat melted off their ribs, leaving their bodies feeble. Prayers to the Old Gods went unanswered.
Two Blue Circles —John K. Peck
Mother has been sewing near-constantly for weeks, digging out our old shirts and smocks and going at them with her needle. Once they’re in shape she pulls them over our heads, and their cool linen smells like mildew and winter. When we complain she tells us to go outside and run around in them, and soon enough she's right, the sweat and sunlight chase the smell away. Later, when it's time to come back, they ring the bells in our village and all the villages up and down the valley. Without that we'd play half the night, never know when it was time for dinner, the sun still lighting up the treetops on the hills across the valley long past our bedtimes.
ANGLERFISH IN LOVE — Zoë Skoti
i. before
At first, there’s nothing. The world is black and cold, a pulsing throat, and you’re stuck right in its
center.
No operations are conducted to pull you out. No tweezers delve into the universe’s gullet, or try to
drag you out alongside strings of blood and tissue. But you still know when you’re not welcome:
when you try to curl into yourself, the world tries to swallow you down in turn; a burning, breathless
pressure. When you try to stretch, it scrambles to spit you up, spasms like an exposed nerve.
Canvas —Lynne Inouye
$5 Face Paint. A sign is etched into a rotten framework; the letters are peeling, flaking, in the summer heat. A small business, situated between the ring toss and a donut stand—nestled in the yellowing grass. The days are long; the shifts are longer, but she weathers them all the same.